Tag Archives: Bill Wyman

Bill Wyman: “Glamorous stories? There aren’t any. It’s glamorous from the outside, not the inside.”

Bill Wyman

Bill Wyman

Ella Walker grapples with former Rolling Stones bassist Bill Wyman over his  crazy past, the Stones and his current tour with his band, the Rhythm Kings.

So, what exactly do you ask a former Rolling Stone when you’re told – in no  uncertain terms – not to ask about the Rolling Stones?

This was the conundrum I faced pulling together questions to ask legendary  bassist Bill Wyman who’s visiting Cambridge Corn Exchange with his classic  rhythm and blues band, the Rhythm Kings.

One friend said to just start by asking him: HOW ARE YOU SO AWESOME? (Capital  letters not optional).

Twitter responded in a slightly less fangirl manner i.e. Ask him about going  out with teenagers when he was 50; ask him about The Beatles; and one clever  clogs said: “Please end every question with ‘Bill, why man?’” Safe to say that  wasn’t an option.

In the end I went for the old lure him into a false sense of security tactic,  and then hit him with questions that should stir up memories of his Stones years  (all 30 of them). It was that or get hung up on.

So, the Rhythm Kings… Wyman’s been touring with them for 12 years now and is  upfront about the fact: “It’s not a career move for me by any stretch of the  imagination. It’s not a money earner either. We just do it for the love of  playing together and for the love of the music.

“It’s just a joy. That’s the only reason I do it.”

They’ve got Geraint Watkins on piano (“Bob Dylan’s favourite British  pianist,”), Georgie Fame on organ and “the great” Albert Lee on guitar, plus  special guest Maria Maulder (Bill sings her most famous song, Midnight at the  Oasis, gruffly, but sweetly, down the phone).

And I figure that’s that then. We can move onto other topics.

However, at 76, it turns out Wyman’s still pretty wily and is an absolute  expert at turning anything and everything back around to the Kings and his other  projects – of which there are oh so very many, from photography and archaeology  to designing metal detectors and writing books.

For instance: Life on tour must have changed quite dramatically since your  early days in the music business (read: during the Stones’ heyday)? “[It’s] more  pleasurable, not as crazy,” he admits. “Not as violent, not as loud, not as  aggressive, not as mad – I mean mad as in crazy girls leaping all over you and  doing two chords of a song and then it was all over because they all poured on  stage or something. It’s not like that obviously.” He says it with only a  grazing sense of nostalgia, before cutting swiftly back to today’s pre-approved  topic of conversation: “It’s much more pleasurable now because we play to an  audience that really appreciates us.”

It seems facetious to suggest you couldn’t get fans more appreciative than  Stones fans, but this is the problem with not being able to ask outright about  his former band: despite Bill publicly announcing he still considers them  friends, you can’t help but hear hard edges to every vague reference he makes to  them. From whether he feels like he’s different since those mental early days: “I feel the same actually,” he says laughing. “I’m still next to the drums  playing bass, I’m not a frontman, never was.” To what he’s most proud of: “I was  proud of my 30 years in the Stones and I really love the 12 years I’ve had with  this band. It’s very easy going, there’s no pressure on having hit records or  charting, or anything like that.”

And then, just as you feel you’re getting somewhere, he’ll fox you completely  by going on a bizarre tangent about the struggles of getting your laundry done  when you’re performing in a different town every night. This alone shows he must  have changed since his Stones days; surely he didn’t give a toss about clean  shirts when he was bedding those 1000 women Maxim magazine feted him for?!

“People have to do it themselves, they do their undies, hang ‘em up in the  bathroom, I don’t, I just bring more than I need,” he chatters. “That’s probably  the most difficult thing when you’re travelling on tour – it sounds absurd but  it’s a fact. You’re laughing!”

I was expecting glamorous stories I tell him. “Glamorous stories? There  aren’t any,” he says raising his voice. “It’s glamorous from the outside, not  the inside. The glamour is two hours on stage every night, that’s where the  glamour is. The rest of it is hard work and boring stuff, travelling in a bus  for four hours.”

Despite the slight digs at his old band mates, filtered through passion for  his current ones, Wyman did join the Stones onstage for their 50th anniversary  gigs at London’s O2 Arena last November. Disappointingly he was only asked along  for two songs, didn’t get invited to Glastonbury and told the Huffington Post  afterwards: “I’ve always maintained that you can’t go back to things, and they  can never be the same.”

He’s adamant his comments weren’t presented in quite the right way though. “I  never said that. Mick always says that, he don’t like looking back and the past.  I do because I write lots of books, I keep diaries, so I have to refer back,” he  says, unable to not mention those nine books of his. “I have no problems about  looking back into the past at all. The hard thing is looking into the  future.”

So I press him on the past. Of all the people he’s recorded with,  photographed and written about, who has been the most inspiring and exciting to  work with? “That’s difficult. There’s so many,” he says before proving his point  by reeling off the likes of Supremes’ Mary Wilson, Eric Clapton, Mark Knopfler,  George Harrison, Chris Rea and Paul Carrack (no Jagger you’ll note).

You get the feeling he could never run out of names to drop, or projects to  keep him occupied, and he’s a family man too (“Who am I listening to at the  moment? My wife telling me how good the girls are doing at school,”).

Next up he’s writing another solo album: “Which is a bit crazy at my age but  it’s turning out quite nice actually, quite different, I like it. I’m singing  very low, friends of mine like Bob Geldof are saying it sounds a bit like Tom  Waits, J.J. Cale and people like that.”

He’s also working on a continuation of his life story, because his first only  told up until the end of the sixties. Does he ever see himself retiring? “I see  no point really. If I’d thought of retiring I’d have retired 20 years ago, I  just enjoy continuing with five, six, seven projects, taking them to wherever  they’re going to take me. Whether it’s finishing a book, or doing a photo  exhibition, or upgrading the restaurant or doing archaeology, or whatever I do,  you know? I just do it and get pleasure out of it. I’m very lucky.”

He sure is that.

First published by the Cambridge News: http://www.cambridge-news.co.uk/Whats-on-leisure/Choice/Bill-Wyman-Glamorous-stories-There-arent-any-Its-glamorous-from-the-outside-not-the-inside-20131031060000.htm#ixzz2jm8NT0qp